You know what? I think more inspiring to me than anything else is Change. When change happens, when you can sniff it out in the air, when it falls from the sky and lands on your shirtsleeve–that’s what can really get me thinking and working and moving. And of course it’s much more awesome when the changeling matter falling from the sky is like a new pair of Costume National sandals and not hokeberry-purple robin poo, but as sad as it is that the former has never happened to me? Neither has the latter. So it’s all good, I guess.

I’ve been sewing it up a smidge the last couple weeks, and it feels really good. Part of that is knowing, seeing firsthand, that I’m getting better. Better at sewing in a straight line, and a curved line, pressing neatly, and even figuring out what changes to make to have whatever garment it is actually fit my body better. I’m still having some issues at being slightly prompt with it all, but you know what? Stuff is getting done. I’m doing all right. It’s working. And part of that is because it’s beginning to warm up outside–the transition to springtime is at least in full push, even if I might wear wool sweaters a few more times before they get put up for the season. However it happened, I think I realized that the beginnings of change are what gets me going the most: so while I’m not at all organized enough to plan out a SWAP (Sewing With A Plan), I *do* have some ideas about stuff I want to sew up for the warmer days of 2008.
Bright or bold and slightly goony-abstract floral prints.
Seriously, I love that mess. And it can get tricky using them without looking like a cartoon character, but with proper grounding it’s just buckets of fun waiting to happen. Also it makes you want to drink blueberry dacquiris in the park, and what the hell is wrong with that? Full skirts for the heavier weights with big prints, dress bodices and short-sleeved blouses for the lighter weight, sheer stuff, both to be paired with solid colors and my excellent taste in shoes.
Minorly unexpected color combinations.

Keep it safely distanced from that day-glo nonsense of the early nineties, and pair rich tones with more neutrals. Go opaque brights with sheer muted tones, get your brown on with the teal, mix silver grey into the yellow and deep plum. C’mon! Get your chocolate in my peanut butter.
Wear amazing shoes with everything, period.
This may mean spending some money on new shoes. I can totally live with that. And all these totally impractically expensive shoes have nothing really to do with sewing, except that I can be inspired to match my blouse to my colorblocked Miss Sixty wedges or match my saddle brown with black to highlight those fan-effing-tastic Costume National wooden sandals. And if I sew all my clothes and still look like a million bucks, it means that I just saved like two thousand dollars, right? HMM WHAT TO DO WITH ALL THAT MONEY. Hmmm.

Hi, is it possible to get a better view of the top right two photos (yellow blouse, green dress) in your collage?
Kathleen
March 28th, 2008
No prob: yellow blouse and green dress. Most of my pics I try to host from my flickr account, not that you’d know because I neglected to say as much. Whoops!
Allison
March 30th, 2008